Thursday, April 22, 2010
Tuesday, April 20, 2010
Hannah Nussbaum's last chapter response
This last chapter seems to focus on Nicks personal progress as well; his ephiphinies regarding the pull of the past drive him to reject the superficial aspects of West Egg, as he plans to move back to his origins in Minnesota. Nick acknowledges the tragedy in the lives of the West-Eggers, who are all like Gatsby in that they are living lives they do not feel truly comfortable in. With all this said, I kept in mind throughout the chapter that the narration is Nick's, and therefore not neccesarily adjacent to Fitzgerald's ideas.
Monday, April 19, 2010
Love and The American Dream
Friday, April 16, 2010
The Great Gatsby
Chapter 9 Reader Response
Hi Mrs. Arnaboldi! Hi English Class!
Chapter 9 recapitulates Fitzgerald’s views with various tools: the image of the woman in the white dress being hauled away on a stretcher, Wolfsheim’s reaction to Gatsby’s death, Gatsby’s funeral, the physical condition of Gatsby’s house after his death, Tom and Daisy’s disappearance, and so much more. I believe that the concluding line of the novel, however, conveys Fitzgerald’s message more powerfully than all of Chapter 9’s symbols and characteristics combined. The final line of the book reads:
“So we beat on, boats against the current, borne back ceaselessly into the past.” (180)
Here, Nick realizes that Gatsby’s desire, and his own desire, to progress and achieve higher socio-economic levels is a futile and endless chase. Fitzgerald compares life to a river, somewhat stating that life is driven by an inexorable backwardness, a natural inclination or flow towards previous states. Thus, any attempt to push against the river can only be scorned upon and labeled as superfluous ambition and selfishness.
The reader can elaborate further upon this quotation and transcend the context of the novel to discuss its bond with America as a nation. The founders of the United States came with visionary and honorable ideals such as progress, equality, and justice. However, the test of time has proven that these bold fantasies could not hold strong through the ages, and that America fell into the same condition which its founders tried to escape, conditions of imperialism, injustice, inequality, cruelty, and moral corruption.
Therefore, in Fitzgerald’s solemn view on the 1920s, Gatsby’s rise and fall mimics the decadence of America itself. As Nick stated at the inception of the novel, the past determines who a person is, and whether they are suited for a particular class or quality. Nick’s views are reiterated in Chapter 9 by the constant depiction of the West as the homeland and the East as a land of social climbing and perversion. Ultimately, attempting to break through any social or natural barriers, like attempting to move upstream, is a hubristic abuse of human willpower.
-Shervin Rezaei
Chapter 8 Reader Response
Hi Mrs. Anrnaboldi! Hi English Class!
My first instinctual reaction to Chapter 8 relates to the differences between my final views of Gatsby and Nick's final understanding. By this point in the novel, at his death, I've accumulated a sizable condemnation for Gatsby, for his criminal history, his vain imaginings and moral flaws, and for his heartlessness after Myrtle's death. I feel that throughout the novel, including all of the parties and actions of the upper class, Nick (along with Fitzgerald) defines the 1920s, along with Gatsby, by deplorable qualities: lasciviousness, cynicism, and cruelty. However, in Gatsby's final appearances in the novel, Nick conveys his admiration for him by saying that Gatsby is "worth the whole damn bunch put together." (154) Nick recognizes that Gatsby is capable of achieving great things with his power to dream and his will to move forward. However, he believes that because his dream focused solely on Daisy, he lost the entire social ‘game’. Nick, then, regards Daisy as an undesirable product of upper-class, societal laws.
Also, the pool served as a remarkable symbol with which to end the chapter. Gatsby’s Butler says he’s going to drain the pool because summer is nearly over and the leaves of the autumn season are beginning to contaminate it. Even though it is clear to Gatsby and to the reader that Daisy has formed an indissoluble bond of reliance and social dignity with Tom, he still refuses to let go of the past, to allow time to control him, which is why he does not succumb to the seasons and uses up his final moments in his pool. With this particular death, I felt a strong correlation to Macbeth’s final moments, and how both of these characters refuse to surrender in the face of death, a mark of true perseverance and proof of the strength of the American Dream.
-Shervin Rezaei
Thursday, April 15, 2010
Chapter 8
First of all, I was so sad for Gatsby. I've always loved him and thought he was a teddy bear, so the reflection on the demise of his and Daisy's relationship disheartened me. Also, from the description of Gatsby's relationship with Daisy, he clearly sees her as more of a dream and an object, rather than someone he truly loves. She is described as "the first 'nice' girl" Gatsby ever met, so that must have given him some sort of hope towards love. Then, his love grows with material items and the fact that other men have loved her, rather than her personality. "He felt married to her, that was all" (149). Marriage does not necessarily include love, but the dependency of two people. Therefore, Gatsby and Daisy's relationship seems to be based on the image and the dream and the stability of it, rather than true feelings. This is also confirmed by the fact that Daisy did not marry Gatsby-she was not stable with him financially, and by the fact that she stays with Tom, showing that her feelings are not fully there. The best moments are also depicted as the times when she would kiss his shoulder or he would touch her fingers, purely physical actions, rather than discussion, or how he liked when her voice was huskier when she was sick. Gatsby focuses more on her physical aspects, rather than care about the the fact that she was sick. Basically, Gatsby and Daisy's relationship does not seem legitimate. Their love is based on silly actions and details.
-Brittany Bishop
Thoughts on the End
- Nick's new found disgust with the East shows what Fitzgerald thinks of the rich Easterners and their ideals. The idea that none of the Mid-Westerners, Nick, Jordan, Tom, and Daisy, would never be able to fit in with the Eastern society is a comment on society as a whole, how different groups are always striving to climb the social ladder, only to find out that there is nothing but pain and sadness once reached.
- The green light. A symbol for the American dream, what Gatsby hopes to one day reach. Riches and Daisy are his goals, and despite never getting closer, his continuous optimism makes him believe he can obtain them. Gatsby himself is a symbol for the hollowness of the American dream, that having all the money in the world doesn't matter. One can convince his or herself that they are happy, but the American is only happy when he or she no longer has to strain themselves for it, like Gatsby on the boat with Cody. That was the only time Gatsby felt truly satisfied with his life, while the rest of his story is a commentary of his failures to reach that high place again.
Daisy and Tom
Avery's chapter six response
Comment on Michele's Reader Response (same issue as Jeff)
I noticed in your post that you mentioned Daisy's preference for a simpleminded man such as Tom instead of a complex character like Gatsby. I don't believe, however, that she recognizes Gatsby as a genuine lover, and I don't believe he's complex(unless you're saying his past is complex, in which case I misunderstood). I think she feels that Tom does not give her the attention she craves (this crave can be seen in the first scene when Daisy energetically attempts to entertain her guests) and because she feels that Gatsby does not comprehend her at all, especially when he thinks he has complete control of her heart. In this sense, Gatsby thinks of her as an object, a key to the majestic universe of East Egg.
I agree with you in a sense, though. I think Tom will change because of the recent Wilson incidents, but that Gatsby will continue to use the same methods as before to reignite his relationship with Daisy.
-Shervin Rezaei
Chapter 7
The truth behind the narrator
re: reader response chapter 7
I don't think Daisy will end up with Gatsby at all to be frank. She likes the thought of being with him, and being loved for that matter, but she is too superficial to actually be with a man who isn't a true East Egger(yes I just made up a word). Tom's hypocrisy is simply warranted by the fact that he is living his American dream. Though we may view his actions as wrong and morally corrupt, I see Tom's American dream being to do as he pleases. Plus, being an East Egger gives him the notion that he is above social norms and standards. Essentially Tom believes his wealth and status is the answer to everything. I do believe that Daisy will have the strength to leave Tom in pursuit of her American Dream...which sadly doesn't include Gatsby
Gatsby - Chapter Seven
Daisy, of course, is beautiful. She is delicate and lovely and captivating, but she is very imperfect. Her voice, which is praised throughout the novel, is finally said to be "full of money" (120) by Gatsby himself. Nick in turn realizes that money "was the inexhaustible charm that rose and fell in it." (120) Daisy is so irresistible because of her looks and most importantly her money and status. Furthermore she is commanding and critical of her husband: "'Open another window,' commanded Daisy, without turning around." (126) Again, Daisy attacks Tom: "Now see here, Tom... If you're going to make personal remarks I won't stay here a minute. Call up and order some ice for the mint julep." (127) Daisy's hostility may stem from being pampered all her life or perhaps her hostility toward Tom is her indirect reaction to being cheated on, but either way, it is a particularly unattractive quality that seems to be forgiven or classified as a general multitude of a woman's fancies that must be satisfied.
And speaking of being Tom's multiple affairs, Daisy's reluctant-ness to leave Tom is surprising after she has been given the opportunity to leave with Gatsby who has secretly and unwaveringly loved her for five years. She cries multiple times "Please don't! Let's all go home," (130) wishing to avoid the broached conflict of her affair. This makes me wonder if she enjoys being lusted after by Gatsby while being married to Tom. Perhaps the secrecy was thrilling, but I belive that she enjoys the ego boost; Daisy takes advantage of the effect she tends to have on men until they are eating out of the palm of her hand, but her confidence wavers when she is at risk of losing control of a situation (a quality very much like her husband).
Over all, Daisy's excessive love of herself and her image make it impossible to truly love someone. Her reputation is too spotless withstand the event of her being seen with someone below her or off-limits, which explains why her scandal with Gatsby causes her to react with such emotional indecision.
Upon arriving in the salon of the Buchanan's mansion, Nick immediately observes Daisy and Jordan: "[They] lay upon an enormous couch, like silver idols weighing down their own white dresses against the singing breeze of the fans" (115). This is perhaps the most accurate description of Daisy we have seen thus far; she is merely an idol that has been falsely worshiped by Gatsby, Tom and even Nick.
Wednesday, April 14, 2010
Chapter 7 - Reader Response
Daisy boldly invites Gatsby to her house for lunch with her husband which fuels Tom’s suspicions about a relationship between Daisy and Gatsby. The hot afternoon eventually spirals into a confrontation between Tom and Gatsby. Tom’s hypocrisy is accentuated when he berates Gatsby for being with Daisy when Tom himself also cheated on Daisy: “Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time” (131). Tom sees nothing wrong with his own actions of infidelity with the even lower class Myrtle, but sees the relationship between Gatsby and Daisy as apocalyptic: “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife…Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and intermarriage between black and white” (130). Tom degrades Gatsby by accusing him of owning “side-street drug-stores here and in Chicago and [selling] grain alcohol over the counter.” Regardless of Daisy’s love for Gatsby, Tom knows that Daisy’s snobbery is alike to his own and she would never leave her upper-class husband for a bootlegger. Daisy is unwilling to say that she never loved Tom causing Gatsby’s hopes of repeating the past to die. Ultimately, Gatsby is unable to connect past to present and Daisy, in the end, stays faithful to Tom.
Chapter 7 Reader Response
Gatsby even admits to nick that Daisy's "voice is full of money" (120). Not only does Gatsby realize that Daisy's only interest is in his wealth, he also realizes that his "American Dream" (the dream of obtaining Daisy) is slowly slipping away. Gatsby has always deamt of reunitig ith Daisy as a passionate and dramative moment and this clearly did not happen.
Also in this chapter, Gatsby desperately tries to hold on to his dream of being with Daisy. Tom begins to interrogate Gatsby, demanding answers from him. When Tom asks Gatsby what kind of trouble he's trying to cause, Gatsby begins declaring Daisy's love for him and puts it all in the open. Gatsby, replying to Tom's question, cries "'Your wife doesn't love you. She's never loes you. She loves me'" (130). Gatsby is stuck in the past and still strongly believes that he can fix everything. Taking a step further, he also claims that Daisy is going to leave Tom for him. When Daisy interjects the screaming fight between Tom and Gatsby, she reveals that she loves both of them. When Daisy claims this, Gatsby's dream is ultimately crushed.
Tuesday, April 13, 2010
Chapter 6: Gatsby and His Dreams
The idea of dreams plays a huge part of why Gatsby acts the way he does, and demonstrates how the world continues to move in the way that it does. Gatsby's dreams not only haunted him, but continued to push him to try. "Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace. For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality; a promise that the rock of the world was founded securely on a fairy's wings" (99). Although Gatsby's dreams gave him hope for the future; at the same time, the dreams gave him false hope. By using "unreality of reality," Fitzgerald is suggesting that Gatsby saw the world with new heights, but they were unrealistic and caused Gatsby to try so hard for nothing. Gatsby thinks that enchanting occurrences and hope can change the world, hence "the rock of the world was founded securely on a fairy's wings," but once again, the use of reality breaks that depiction of amazement and magic towards not only Gatsby's dream, but the American (and possibly all-human) dream in itself.
In the end, as shown through the dinner party at the end of the chapter, although Gatsby seems to fit into the high-class world, he does not. His dreams led him to fight for his social stance, but once again, Gatsby truly cannot compare to the naturally rich. Mr. Sloane and the lady are smug and rich, and Gatsby seems to want to be them, but at heart, he is still the same man as he was before the party.
Finally, as reiterated in class, Daisy is Gatsby's "American Dream." Although there were hopes for their love when they were alone- and at the party when the two were alone, the hopes are gone. Daisy had to bring her husband Tom to the dinner. At the party, Daisy says, "Or present a green card. I'm giving out green-" The use of the color green by Daisy relates back to the green light from across the bay from chapter 5. Before, the green light disappeared, showing that Gatsby was one step closer to his dream, but now, the green has returned, illustrating that Gatsby returns to where he started with Daisy. Reality will always triumph, and Gatsby's dream seems like it will never truly be accomplished because he is always set back (almost like the clock? hm... but that's for another post entirely).
-Brittany Bishop
Hannah Nussbaum's chapter six response
Evidence for this assertion can be found in the despair Gatsby feels following his party. Daisy is a married women, so it is only reasonable that she should bring her husband along with her to the party. Gatsby is the host, so it is only reasonable that he is not able to spend his entire night with one woman- and certainly not when her husband is there. Though he is able to entertain her, dance with her, and introduce her to his friends, Gatsby feels "far away" from daisy, come the end of the night. Again, reality falls short of his expectations, his extravagany luxary and grandeur even not able to be a vehicle by which he lives out his dreams. The chapter is as a whole, in my opinion, tragic, for it for me conveys the futility and irrelevence of Gatsby's dreams when measured against reality.
Chapter 6-ish Reading Response
Monday, April 12, 2010
Chapter 5 - Gatsby's Wealth
Though there is no concrete evidence that Gatsby was not born wealthy, it seems we can agree, at least based on Nick's doubt, that Gatsby lies or exaggerates when he says "[he is] the son of some wealthy people in the Middle West" (65) and from them "came into a good deal of money" (65). We wonder, therefore, what was his ultimate motivation to pursue the wealth he presently possesses. I think that he was inspired to become wealthy not by the sparkle of materialism but by the pains of lovesickness, and by a naivete that told him to use his wealth as a crutch on which to snag Daisy. Gatsby's dream of Daisy is his own personal American Dream. I don't really think Fitzgerald necessarily means to "criticize the upper class' version of 'love'," as Adrian said [somewhere on this blog]. By stressing Gatsby's use of wealth, I think he means to criticize the general American, rich and poor, route to love, in all of its forms (romance, family, career, etc.). Fitzgerald does not call Gatsby a heartless or greedy rich man, for he is far from it--instead, the author asserts that Gatsby has simply allowed his desire for love (a representative of the general American desire for love) to mutate into a desire for wealth. Ever since young lieutenant Gatsby fell in love with Daisy, he felt the understandable yet irrational need to be socially superior in order to obtain her: "He wants her to see his house" (79); he assumes that well-kept lawns will please her; he hopes to attract her to his lavish parties so that she can relish in his expensive social life. He does not want to rely on wealth to obtain love, he simply sees no other way. He, like many Americans, has a warped take on life. He is dedicated and good-hearted, but silly, and can "[act] like a little boy" (88) in his infatuation with Daisy and thus, because of that infatuation, blind misuse--or overuse--of money. Gatsby is so obsessed with self-invention and reputation that he does not know who he really is, or how to obtain love without an outer shell of material appeal. Fitzgerald means to say that, while Americans may enter the country with dreams of family and art and romance, those dreams conform to a really rather vulgar need for money in order to obtain anything. American society is so centered around that one universal obsession that no other quality could mean as much, and that is no fault of any individual. Gatsby has only fallen victim to this corrupt American society, succumbed to an impossible, therefore, American Dream, and subordinated his desire for love to his desire to obtain money in order to get Daisy. Fitzgerald, then, believes that money has destroyed pursuits of all that may have once been possible without it. Fitzgerald may have lost faith in Americans, who "have always been obstinate about being peasantry" (88) and no longer find joy in that which costs nothing.
Chapter 5 Wisdom
Until chapter 5, as noted in my previous response, Gatsby seems always to be cool, calm and collected. Of all the characters we have met thus far (except possibly Nick), he has seemed to feel the least pressure to be a certain way, or to put on a certain affect. This is not to say that he does not effect an affect (Owl Eyes notes the books are unread and Gatsby is overbearing at times), but simply that he has always seemed comfortable and even in control at all times. In chapter 5, however, Gatsby is very awkward and uncomfortable. I believe the change is that he no longer has absolute power in his relationships. Gatsby is used to people who are either in debt to him or want to impress him. (It is interesting to note that this is a very Godfather-esque quality). In chapter 4, however, he indirectly asks Nick for a favor. This is why in chapter 5, he is so uncomfortable around Nick. He tries to gain the upper hand once more by offering to take Nick into
Sunday, April 11, 2010
Chapter 5 Reader Response
On the other hand, Gatsby goes to extremes to make himself appear more “manly” when Daisy visits him. He insists that Daisy and Nick move the party to his mansion, and appears visibly awkward when he attempts to woo Daisy in Nick's house – away from the signs of Gatsby's wealth and status. Nick describes it as “reclining against the mantelpiece in a strained counterfeit of perfect ease, even of boredom”(86). Gatsby also storms out of the room several times to pace nervously before Daisy arrives, almost like a teenage boy awaiting a girl's call.
However, as soon as Gatsby moves Nick and Daisy to his mansion, and conducts them on a guided tour that shows his exploits, Daisy begins to fall for him. Gatsby even decorates his room with a gold toilet set (91) and allows Daisy to use it. Upon seeing his shirt collection (and hearing Gatsby pompously proclaim that they come from England), Daisy bursts into tears, saying “It makes me sad because I've never seen such – such beautiful shirts before”(92).
Soon after, Daisy puts her arm around Gatsby “abruptly”(93), symbolizing the abrupt change the couple has undergone. When compared to Nick's relationship with Jordan, Gatsby's relationship with Daisy is obviously based around Gatsby's material accomplishments – his achievements in the paper, his wealth, etc. Using this, Fitzgerald continues to criticize the rich and idyllicize Nick, and the middle class, as having the true idea of 'love'.
Gatsby - Chapter Five
In Stephanie's post, she questions if Daisy is truly in love with Gatsby or just his money in the last sentence of her second paragraph. At this point in the story, Daisy is in complete awe of Gatsby - his home, his clothing, his possessions, and ultimately his presence. Everything about Gatsby is everything Daisy has ever wanted but was unable to find: love and riches. (Tom showers her with riches - the pearls - but is an adulterer; Daisy's devotion and love are not returned.) It seems as if Daisy has at last found her 'prince charming' but it is unclear if she is merely dazzled by Gatsby's reappearance in her life and display of grandeur or if she is actually in love with him.
Looking back on previous events in the story, Jordan tells Nick that "[Daisy and Gatsby] were so engrossed in each other that she didn't see me until I was five feet away" (74). Here, it is obvious that Gatsby and Daisy were romantically involved, but to what extent is unknown. Jordan also says that "After you (Nick) had gone home she (Daisy) came into my room and woke me up and said: 'What Gatsby?' and when I described him - I was half asleep - she said in the strangest voice that it must be the man she used to know." (77) These stories and Daisy's drunken episode with the letter (presumably from Gatsby) before her wedding day give us proof that Daisy, at one point, was in love with Gatsby.
Presently, Daisy is feeling a lot of things after seeing Gatsby again after so many years apart, but I do believe she still loves him. When Gatsby asks Daisy what she thinks about the rain stopping she says "'I'm glad, Jay.' Her throat , full of aching, grieving beauty, told only of her unexpected joy." (89). Perhaps the theory of Daisy only loving Gatsby's wealth is supported by her tears over his "beautiful shirts" (92) and other notable possessions because the Gatsby she used to know was only a soldier with no material possessions and now Gatsby has a beautiful home right across the bay from hers with more wealth than she could imagine.
At this point we can only wait and see what happens next between them.
Im also curious if anyone thinks that Gatsby I simply using Nick to get closer to Dasiy….
Friday, April 9, 2010
Chapter 5 Reader Response
Not only does this chapter reveal a lot about Gatsby, it also reveals what kind of a woman Daisy is. When Gatsby, Daisy, and Nick are at Gatsby's mansion, Gatsby brings both of them into his bedroom, sifting through his clothes. Gatsby declares that he has "a man in England who buys [him] clothes" (92). Gatsby ultimately tries to prove his wealth to impress Daisy. Daisy responds to his wealth by sobbing over his "beautiful shirts", suggesting her attachment to material things. Through Daisy's reaction, the reader can imply that Daisy is just as shallow as the other women in Gatsby. And, by the end of this chapter, Daisy falls in love with Gatsby (again / never was out of love) and Nick acknowledges their happiness together. This makes me wonder whether or not Daisy is actually in love with Gatsby or just in love with the fact that Gatsby has money.
I want to make one more point before I end this blog. Near the end of Ch. 5, Gatsby says, "If it wasn't for the must we could see your home across the bay. You always have a green light that burns all night at the end of your dock" (92). This reminds me of the valley of asked and the eyes of Doctor T.J. Eckleburg. In the valley of ashes, there is smoke that screens The Eyes from seeing anything. I think that this might represent Gatsby's inability to see Daisy's secret ambitions or her true personality. I also think that this not only suggests Gatsby and Daisy's emotional difference, it also suggests their physical separation (West Egg vs. East Egg).
Chapter 5 - Reader Response
Since Daisy left Gatsby to marry the wealthy Tom Buchanan, Gatsby has led his life making sure that Daisy would accept him when they met again. He prepares for a future reunion with her by becoming rich and buying an extravagant mansion across the lake from her house. Gatsby has had only the green light at the end of Daisy’s dock to fuel his hopes of seeing Daisy once again. When Daisy and Gatsby meet, Gatsby acts like the shy awkward soldier in love who met Daisy 5 years ago. He clumsily knocks over the mantelpiece clock after muttering “’We’ve met before,’” to Daisy, signifying his desire to return to the time when he and Daisy were together and Daisy had not married Tom. During this awkward first encounter, the rain is pouring outside paralleling the nervousness and anxiety that Gatsby experiences. When Gatsby returns to the room to speak to Daisy, the rain stops which parallels the “new well-being [radiating] from” (89) Gatsby. Thus, the rain is a symbol of Gatsby’s feeling and emotions. Then, Gatsby feels the need to show Daisy his splendid mansion. First going through the gardens, then the “Marie Antoinette music-rooms and Restoration salons…[and] the Merton College Library” (91), Gatsby wanted to be sure to show Daisy every aspect of his new extravagant life so that Daisy would accept him. Nick observes that Gatsby “revalued everything in his house according to the measure of response it drew from her well-loved eyes” (91) which shows that he owned all of the magnificent rooms and wondrous shirts from England for the sole purpose of convincing Daisy that he was wealthy enough to be with her. I didn’t understand the significance of the song that Mr Klipspringer sings so I looked up the rest of the lyrics of The Love Nest: “Every morning, / Every evening, / Ain't we got fun / Not much money / Oh, but honey / Ain't we got fun / The rent's unpaid, dear / We haven't a bus / But smiles were made, dear / For people like us” (link). The lyrics are ironic because the tone of the song is light and cheery which starkly contrasts with the awkward and uncomfortable manner of Gatsby and Daisy’s reunion. The lyrics “Not much money…Ain’t we got fun” also contrasts with Gatsby and Daisy’s situation since Daisy left Gatsby because of his poverty and now returns to him for his wealthy remarkable life.
Chapter 5
Thursday, April 8, 2010
Thoughts on Chapter Four
- Nick's attitude towards Gatsby contradicts his opinions at the start of the novel. He doesn't show any admiration or even pity (which Nick foreshadows in the 'prologue') but only the "unaffected scorn' that he feels towards all people of Gatsby's stature. Obviously some tumultuous event will change Nick's opinion, but what it is exactly remains to be seen (or read).
- Like what Liesl said in her post, colors once again play an important part in this chapter. When Jordan is describing Daisy and Gatsby's encounter, she notes that Daisy was 'dressed in white, and had a little white roadster'. The fact that she is in all white could symbolize her purity and maybe angelical-ness, if one were to assume that this event happened before she became so cynical and unhappy. While Daisy's car is white, Gatsby's is cream, which is close to white, but not close enough. A symbol for his nearly perfect life, but one that is missing the key element of love, perhaps?
- Lastly, I was somewhat confused as to the role Wolfstein played in this chapter. I wasn't sure if he was another "fallen American Dream" symbol, or something less depressing. I figure we will discuss it in class, but if someone wanted to leave a comment, that would be good for both of us!
Encouragement & reminder to read Chap. 4 tonight
Anyone else care to comment tonight on the significance of Owl Eyes and what he notices?
Also, please include the chapter title in the "Title" of your post.
Wednesday, April 7, 2010
The Most Insightful Comment Thusfar. Period.
Chapter 3:
Hey everybody,
I’m just getting my first sixteen words out of the way before I begin. It seems, as has been noted in class, that many of the characters, rich and poor, try to be what they are not. Daisy and Tom each lie to Nick about their situation. We learn in the third chapter that Miss Baker simply lies about everything. Myrtle and the Mckees seem to seize the chance they have to live out of their class through Tom. To me, Nick seems unsure of what he wants. Indeed, he is as he described himself in the opening passage: he is an undecided observer. Gatsby is the one exception. Gatsby does not have to pretend to be something because he is all everyone else wants to be and more. Other characters are even surprised by Gatsby’s genuine qualities. For instance, Owl Eyes is surprised that Gatsby has real books in his library; the expectation for this social group is that he would have fake books so as to only appear as one that reads. Moreover, Gatsby is the only one at the party we know not to be drunk (although Nick once again is an undecided slight drunk). This illustrates how he does not need to live in a fantasy world. He has all he wants in the real world. Gatsby does, however, live a lie in the most permeating way of all. Nobody knows who he really is. If this were a real paper, I’d somehow explain this, but it’s not and I’m out of space. I hope you’ve enjoyed two hundred sixty-nine words of wisdom.
Tuesday, April 6, 2010
Chapter 2 Reader Response
Sunday, April 4, 2010
Chapter 1 Reader Response
This juxtaposition of a majestic-seeming scene with an actually bland reality also appears in Tom and Daisy's personality. Tom is a hulking, arrogant, and remarkably unattractive man. Fitzgerald describes him by saying “Two shining arrogant eyes had established dominance over his face and gave him the appearance of always leaning aggressively forward.[...]It was a body capable of enormous leverage – a cruel body.[...] There was a touch of paternal contempt in it [Tom's voice], even toward people he liked”(7). Nick is large, arrogant, and intimidating, obviously capable of cruel actions, but all he does, as Daisy says, is “reads deep books with long words in them”(13). Nick's attempt at sophistication clashes with his stolid nature, making him a contradiction in terms.
Daisy, on the other hand, is Tom's opposite. She is frail and transparent, and laughs at almost any opportunity she gets. Instead of attempting to sound sophisticated by reading, as her husband does, Daisy merely agrees with whatever he says. When Tom speaks about the book he was reading, and how the white man, as the “superior race”, needs to subdue the other races, Daisy immediately responds with “We've got to beat them down”(13). Daisy believes that, in agreeing with her husband on this supposedly “deep” topic, she will seem more sophisticated and more stereotypically “rich”. Instead, she comes off as unintelligent and unthinking, following unconditionally what her husband says. In addition, she also styles herself as a cynic (“We'll, I've had a very bad time, Nick, and I'm pretty cynical about everything”(16)), which clashes with her agreeing unconditionally with her husband. Daisy's comparing of Nick to a rose, in one of the more humorous moments of the chapter, also serves to show her lack of intelligence (14).
Fitzgerald's attack on the rich in the first chapter of his novel paints them in a negative light – the rich are unintelligent and base, but determined to be sophisticated. To show this, Fitzgerald has them put on airs of sophistication, while in reality being brutal, or shallow, in the cases of Tom and Daisy Buchanan.